I
finished reading John Irving’s In One
Person last Friday. I hurried up and read the last 40 or so pages and then it
was done. And I was sad that it was done.
Since
I took up writing seriously, I discover that I read like a writer. Much more
analytically. I pay attention to the construction of a novel, the introduction
of characters, the weaving of the different characters’ story lines into the
overall fabric of the novel, and the movement of the main character through his
own story arch. I watch as he is touched here and there, sometimes it’s a
gentle nudge, sometimes a heave from a volcanic force.
John
Irving writes from a writer’s point of view. Deus ex machine is oft maligned by writing teachers and editors as
a writer’s escape from “having written himself into a corner.” Irving does it
without writing himself into any corner. He quotes Shakespeare and talks about
wrestling and small-town stereotypes. It’s all done with a wink and a nod and
makes me laugh at the jokes like I’m an insider.
Much
of In One Person is set in an
all-boys prep school in a small town in Vermont. “we saw the cross-country ski
tracks crisscrossing the campus. (There was good deer-hunting on the academy
cross-country course and the outer athletic fields, when the Favorite River
students had gone home for Christmas vacation.)” Billy’s grandfather and his
grandfather’s friend like to deer hunt on cross country skis at night.
Of
course, I know this will have significance later in the story, whether for good
or ill I don’t know. But at this entry it’s funny. Complete with a disapproving
game ranger who has no law with which to stop the activity.
I
laugh. Because I love Shakespeare and lived in a small town in far southeast
Arkansas with people not unlike those small-town Vermonters. Where deer hunting
is an important foundation of the culture and young people hunt deer out behind
the McDonald’s before school.
I
have been told that I do not write reviews because I do not write about what
the book is about. It seems to me that the book, if it’s a good book, will do
that. It doesn’t need my help.
But
in this case I can let John Irving tell you himself. “In One Person is about a young bisexual man who falls in love with
an older transgender woman.” And I will add that Billy Abbot is the first
person narrator of this story. Irving goes on to say “Billy learns – in part,
from being bisexual – our genders and orientations do not define us. We are
somehow greater than our sexual identities, but our sexual identities matter.”
In
a video on his website, Irving says “To really and truly be tolerant of
everyone’s sexual identity, it’s not easy. This is a story about that.”
“Billy
is not me,” Irving says. “He comes from my imagining what I might have been like if I’d acted on all
my earliest impulses as a young teenager. Most of us don’t ever act on our
earliest sexual imaginings. In fact, most of us would rather forget them – not me.
I think our sympathy for others comes, in part, from our ability to remember
our feelings – to be honest about what we felt like doing.”
I
have often said that what I like about John Irving is that he does perversion
and tragedy with such good humor. I will have to use a different word. Perversion carries too negative a connotation.
I
am not alone in this shift of perspective. “From now on, the truly deviant will
be the ones – the scowling churchmen and reprobates who cast everyone into hell
– who cease to live their own lives while telling everybody else how to live
theirs.” -- Esquire
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