Dead Irish --- A Book Review

Dead Irish 

This is the first of fifteen crime fiction books featuring Dismas Hardy by New York Times Best Selling Author John Lescroart. And I've read them all.

In the beginning our main character, Dismas Hardy, describes himself as a bartending, divorced ex-marine, ex-cop, ex-attorney thirty-eight-year-old who doesn't know who he is.

Sounds like almost every hard-nosed, plain-spoken, crime-solving Vietnam veteran ever, doesn't it?

Then his boss's brother-in-law comes up dead. A probable suicide. Other people end up battered or dead. All connected. Or possibly not. And Dismas is among the living again.

The plot has twists and turns and enough suspects to keep me turning pages. Even this second time through, and I know whodunnit.

Named for the good thief crucified with Christ, Dismas Hardy is floundering. It's been ten years since he lost his baby, his wife, and any future worth caring about. He keeps his few friends at arms length for fear of losing yet more. He avoids anything that might rekindle any passion for life. Hardy has two interests -- competitive darts and an old but well-cared-for iron skillet.

Hardy's best friend and boss -- a buddy from Marine days in Vietnam -- Moses McGuire owns the Little Shamrock, a typical San Fran neighborhood bar where Hardy's flotsam self has washed ashore.

Frannie Cochran (nee McGuire) is Mose's much younger sister. It's been just the two of them since their parents died and Moses loves her more than anything in the world. When her husband Eddie Cochran is found dead of a gunshot wound, the plot's afoot. The McGuires and Cochrans are Catholic so suicide presents a certain complication. Not to mention that life insurance doesn't pay out on suicide.

No one who knew Eddie Cochran wants to believe he could have killed himself. He was too idealistic. He had plans. He loved his wife. They had a future. But there's nothing at the scene that substantiates any other possible cause of death. McGuire asks Hardy to look into it.

Abe Glitsky is a hard-working homicide detective with San Francisco's finest. He and Dismas were partners back in Hardy's days as a cop. Their friendship is still there, but it's been allowed to lie fallow. Naturally, Hardy contacts Glitsky for help.

Abe is up for promotion and a much needed raise to support his growing family. There are three men in the running for that promotion, a white man, a Latino, and Glitsky who is half-black and half-Jewish. Now we've got department politics in the mix. Abe didn't catch the Cochran assignment. The white detective did. Which puts Glitsky in the position of stepping on a fellow officer's toes if he helps Hardy. And that officer is prickly enough without the competition.

As events unfold, even Hardy's ex-wife Jane and her father Judge Andy Fowler show up .

What Lescroart does so well (and why I read him) is his character development. Each of them is unique and recognizable.

These people will show up in the next fourteen books. And by the end of Dead Irish, that's what they are. People -- not characters. They grow and change. Friends die. Babies are born. And you're left looking forward to the next book in the series.

When the Writer Can't Write -- Nonfiction

image from Harvard Business Review

Yep. I've got post-surgery, drug-induced writer's block.

The surgery went well. Rehab is coming along. Ten days in and counting. I still have trouble putting thoughts together in any consistently coherent way. A writer can't write if they can't think.

I can't stand another moment in front of the TV. TV News? My thinking is so muddled, I can't even maintain appropriate depression. Daytime TV? All those talk shows? They're just so much noise. Those folks are less coherent than what's going on in my head. Nighttime TV? There is PBS, but I can't seem to keep up with anything. Except the cooking and travel shows. Even with them, I tend to dose off which, admittedly, is not terribly unusual for me. But this is ridiculous.

I have been reading. Finished A Memory of Light, the 14th and final volume of Robert Jordan's Wheel of Time series. I did just fine with it. Of course it's my third time through and I'm thoroughly familiar with the umpteen characters. And Memory is 885 pages of the "Last Battle." How could anyone get confused about what's going on there?

I still was not ready to write. So the thing to do was to start another series that I've read before -- so I don't have to figure out who's who or what's going on.

John LesCroart's Dismas Hardy series. Unlike Wheel of Time, each book is a complete crime fiction story. But you need to start with the first one, because the stories are in the same world with the same characters. The thing I like about them is that the well-developed characters live and change as the stories go along. I have a vested interest in them.

So last night I started Dead Irish. Also, it was my second try at sleeping in my bed after the surgery. I haven't been able to get comfortable sleeping lying down. I've been sleeping in a recliner. So...I took the book, cuddled down in my bed, next to my warm husband, and prepared to read myself to sleep.

He likes to read himself to sleep, too. Normally, I am courteous enough not to interfere.

I'm reading along quite happily when I come to this paragraph:

       "In a way, he thought it was too bad the plane hadn't crashed. There would have
        been some symmetry in that -- both of his parents had died in a plane crash when
        he'd been nineteen a sophomore at Cal Tech."

My mind kicked into editor mode.

"Listen to this," I said interrupting Scott's reading. He didn't care about the crime novel I was reading. But he's in his care-giver mode right now. He's a nice man. He'd've been courteous regardless of my medical situation.

Anyway I read him the paragraph as Mr. LesCroart wrote it. And proceeded to followup with the wording I thought the writer should have used. And why.

        "It was too bad the plane hadn't crashed. (No need for the attribution. It was third person close. Obviously, we were inside the main character's head.) There would have been symmetry in that -- his parents died in a plane crash when he was a nineteen-year-old Cal Tech sophomore. (Fewer words, same information. Stronger language.)"

"Hmmm," my husband said.

For several days now, I've been verbally rewriting the dialog on TV commercials. And in syndicated episodes of  Blue Bloods, one of Scott's favorite TV shows.

If a writer can't write, there is only one alternative. Edit!

I think my husband is going to be glad when I've completed rehab and started writing again. Maybe then he can watch his shows and read in peace.

The Ophelia Cut -- a review

The Ophelia Cut is number 14 in John Lescroart’s series of murder mysteries featuring attorney Dismas Hardy, homicide detective Abe Glitsky, bartender Moses McGuire, and their various and sundry families, friends, partners, underlings, and bosses. Not to mention each book’s featured villain and multiple side-bar bad guys.

To prepare to write this review I read some other reviews. And that reminds me NEVER read a review by anyone with the word “critic” in their title.

Huffington Post’s Jackie K. Cooper, identified as a film critic spends a good deal of his review saying how much Lescroart’s readers look forward to his next novel, especially the Dismas Hardy ones. Then he pans it. Saying the first four-fifths of the book are great but the ending is “something completely unsuspected. Unfortunately it is also completely unsatisfactory.” Insert your favorite expletive here.

The ending is unexpected. (I would not have chosen to use the word ‘unsuspected.’ Perhaps it was Mr. Cooper’s auto-correct acting out.) And though I would not say it is "satisfactory," it is the right ending.

What I love about Lescroart’s novels is the continuing lives of his characters. I started his books with the first of his Dismas Hardy stories, Dead Irish, published in 1989. I didn’t read it then because I’d not heard of John Lescroart until a retired police detective recommended I read him. That was almost three years ago while I was writing my own novel Murder on Ceres (available at http://bit.ly/murderonceres.)

In Dead Irish we first meet Hardy, a has-been, tending bar for his Vietnam War buddy Moses McGuire, and drinking in San Francisco. Hardy had lost his baby boy, his wife, and his career as a lawyer. The book introduces us to Hardy’s best friend from when he was a member of San Francisco’s finest before getting his law degree. Abe Glitsky is the half-Black half-Jewish cop, big enough and serious enough to intimidate the scariest bad guy. And there’s Lou the Greek’s, a dive across from the Hall of Justice open from six a.m. to two a.m. serving alcohol and food to the legal community from cops to judges, clients to social workers, and everybody over, around, and in between. If I ever get to San Fran I want to visit City Lights Bookstore and Lou the Greek’s.

In The Ophelia Cut Hardy is described as “sixty years old.” This makes me happy. He’s almost as old as I am. We both remember the late sixties and early seventies.

It’s some thirty years since the Dead Irish story, twelve books follow these characters’ ongoing lives. I feel like I’ve known them a long time. There are marriages, births, deaths. Each book is complete in itself, beginning and ending a case, but the characters go on.

In The Ophelia Cut, Moses McGuire’s daughter is brutalized by a man who ends up dead and Mose is arrested. But did he do it? The dead man was a truly bad man with any number of associates who would be happy to have him dead. No matter. It falls to Hardy to defend Mose in court.

And we come to the ending that the film critic didn’t like. Let me just say I cried. Not at the shocking part. At that part I was shocked. It was later that I wept.

I am not in the habit of crying over murder mysteries. A visit to the Oklahoma City National Memorial, yes. The Vietnam Veterans Memorial, yes. The movie Old Yeller, yes.

But murder mysteries? I don’t remember ever doing it before. Generally speaking the characters and stories are too distant from me as a reader. I do not know them intimately.

Harry Bosch’s daughter grew up, but Harry doesn’t change. I never knew Miss Marple as a young woman. Even Commissario Brunetti does not change, although in Donna Leon’s novels justice is sometimes ill served (which I find appalling but that possibility is real enough to keep me reading her next one.) These characters are not real people to me. Dismas Hardy and the people around him are.

The Ophelia Cut is John Lescroart’s best so far. My only regret is that I can read Lescroart’s books faster than he can write them and there is only one more, The Keeper – so far.