Showing posts with label A book review. Show all posts
Showing posts with label A book review. Show all posts

Saturday, July 26, 2025

My Friends, a Book Review

 

My Friends
by
Fredrik Bachman

Back on May 1, I started to write a post about bibliotherapy. Couldn't write it because I was too busy trying to use it. I have been too much with the world. Too much reading. Too much reading of the news and the explanations of the news and the opinions of the news and the speculations of the news.

Luckily, I have a friend who is a retired Reference Librarian. She taught me the word bibliotherapy, "a creative arts therapy that involves storytelling or the reading of specific texts. It uses an individual's relationship to the content of books and poetry and other written words as therapy."

I don't know if Fredrik Backman is an excellent writer or if Neil Smith, his translater, is.  Backman is certainly a great story teller. 

Whatever. 

Backman (or Smith) writes in my rhythms, and this book is the life-saving therapy I need right now.

"The old woman hasn't noticed Louisa yet, that's part of the plan." And here we have the perfect first sentence which, as my writing teacher taught me, is so important to hook the reader. However, in My Friends, it is the first line of the second chapter. Never mind. I was hooked when I saw the author's name. 

"For someone who's surprisingly tall, Louisa is suprisingly good at being invisible. The secret to that is knowing that you don't mean anything to anyone. That you're worthless." 

"The woman, who feels very important and is therefore very visible.... 'Look Charles! Apparently they let anyone in here these days, even those vulgar new-money social climbers. Look at them! No taste. No style.'" she says.

"The richer people like her get, the fewer things they like, until eventually they become so rich that they even hate other rich people, and that's the only thing Louisa almost likes about them." And, thus, Backman has told us about Louisa and her world. And me and mine.

"No one notices when Louisa opens the backpack full of cans of spray paint. No one notics when she ducks under the rope and walks closer to the painting."

Ah, yes. The painting. The one titled The One of the Sea.

Backman tells us the painting is not valuable itself. A picture of three teenagers at the end of a pier. But, it's a picture that has hung on white walls in prestigious galleries and is now offered in a high dollar auction. "In their world it isn't the artist who should be admired, it's the owner, because only something which has a price can have any value. That's why the children on the painting are so important that they're protected by guards, but the children on the pier in real life could die without anyone even caring."

Louisa escapes those guards and runs into the artist. The connection is made. And the story begins.

In my house, I am surrounded by art: paintings and photos and quilts and needle work; pottery and ceramics; words, framed and bound.

I do not know and do not want to know how much any of those pieces is actually worth in dollars. That is a great fear for me, that any of them would be worth more than I could afford to keep.

Some are by my brother and son and daughter and son-in-law. Some are gifts from people who know the art is important to me. Some I've purchased myself when I could afford it -- from galleries, from street art shows, from a man painting in the park. All of it means something to me -- mostly that there are people in this wide, strange world of humanity who communicated to me through their art that they and I share an understanding of this world. An understanding, perhaps uncommon among people of wealth and influence who have and know more than I do. 

In this book, one of those childhood friends on the pier tells Louisa the story of that painting, knowing she'll "get it."

It's a hard book to read. The words are easy to understand, but the feelings are hard to feel.

Backman's books, like those of certain other writers, show me that I'll never write a "great" novel. And I am so glad they have and continue to do. Their art helps keep me sane and willing to continue on.





Wednesday, February 24, 2016

Sue Klebold, A Mother's Reckoning -- A Book Review

image from amazon.com 

A Mother's Reckoning is a hard book to read. Not because the language is difficult or the structure hard to follow.  It is because it's about a subject none of us wants to think about. Mass murder. And more difficult yet is child-on-child mass murder.

Dylan Klebold aged 17 and Eric Harris age 18 shot and killed 12 students and a teacher and wounded 20 others before killing themselves at Columbine High School, April 20, 1999. They were seniors at the 2,000 student high school located in Littleton, Colorado, a suburb southwest of Denver.

In April of 1999 my son was 24, living in Texas with his beautiful wife and expecting their first child, my first grandchild. My husband and I were living in Southeast Arkansas, busy trying to keep our business afloat. My daughter was nine years old and dealing with the vagaries of elementary school.

Four years earlier, almost to the day of the Columbine tragedy, I was living in El Reno, Oklahoma, a suburb of Oklahoma City.

On April 19, 1995 Timothy McVeigh bombed the Murrah Federal Building in downtown Oklahoma City. One hundred sixty-eight people died there and almost 700 were injured.

My credit union was in that building. I had been in the building less than two weeks before the bombing. Many of my friends worked there. I watched the extensive TV coverage looking for people I knew. Wanting to see them alive. Walking. Outside the devastated building. My son was just finishing EMT training. My tender-hearted son was somewhere down in that destruction, helping.

Nine years before that, a man opened fire in the post office of another Oklahoma City suburb where I lived. Edmond. He killed 15 people including himself.

Edmond was my hometown. I was driving past the area while it was going on. Police and fire department vehicles blocked my regular route to work. Helicopters circled the area. I didn't find out what was happening until I got to work.

My little town. My quiet, little college town. I graduated from high school there. My grandparents had lived there. I don't remember ever hearing about a murder there before that day.

Already tenuous at best, any sense of security that had survived into my adulthood was shattered.

The tragedy at Columbine took up only a minimal amount of news time in Southeast Arkansas. During the few days that followed, I read the articles that appeared in the Arkansas Democrat-Gazette, Arkansas's major state-wide newspaper. I did not see any television coverage of it.

It was far away from me and my life. I had my own mass murder events. 

Now I live in Colorado.

In January, my walking group walked around the lake in Clement Park. Columbine High School is located on the east side of the park. It's just over a rise so you can't see it from the lake, but my fellow walkers pointed out the memorial area and talked a little about the shooting.

And last week, as I listened to Colorado Public Radio I heard interviews with Sue Klebold about her recently released book A Mother's Reckoning. 



listen to the interview or read the transcript here

This mass murder became much more real to me. And it brought up my need to understand. A need that I'd felt especially strongly with the Edmond Post Office shootings. A need that I'd filed away somewhere in the back of my mind with the belief that they were irrational acts by irrational people and could never be understood.

In her interview, Klebold came across as a calm, rational, person who'd done research into the possible cause or causes of her son's rampage. I wanted to know what she'd learned. Was there a rational explanation? Could it apply to the inconceivable acts that have affected my life? Could these murderous episodes be prevented in the future?


Sue Klebold lost her son. She lost her son on so many levels. A son she had loved and been proud of. A son she had nurtured and watched grow from birth to a 6-foot-4 young man. A son she thought she knew.

But she didn't know the deeply disturbed young man who helped build bombs and planted them in his school intending to destroy the building and kill as many people as possible. She did not know the high school senior who used a gun to kill his fellow students. She did not know the architect of a murder-suicide living in her own house.

She does not discount the horrendous nature of the murders and maimings, but she has come to believe that his action was one primarily of suicide. He went to the school and did those horrible things planning to die.

Of suicide, she says,
         "Even after more than ten years as a suicide prevention activist, I still find the general
         public's ignorance about [suicide] staggering."
         "Almost everything I knew about suicide was wrong. [People who] tried to kill themselves
         were selfish or too cowardly to face their problems, or captive to a passing impulse."
         "According to the CDC, suicide is the third leading cause of death among people aged
         10-14, and the second among people aged 15-34."

What suicide actually is:
         "Suicidal thought is a symptom of illness, of something else gone wrong. A suicidal person
         is someone who is unable to tolerate their suffering any longer."

In Dylan's case depression and anger.

In 1999 she "did not know the difference between the sadness and lethargy I had always called depression and clinical depression which many sufferers describe as a feeling of nothingness." She notes a recent CDC report that close to 30% of teenagers experience a depressive episode.
   
As with many suicides, the people around Dylan had no idea what he was planning with Eric Harris. Klebold does not speak for the Harrises. Apparently, they knew their son was having trouble, but they were getting him help. He was in therapy. Again Klebold does not say, but I assume that Eric's therapist also did not see the danger.

From her first attendance at a suicide prevention conference Sue Klebold came away with three realizations:
"One: There is more to suicide prevention than loving someone and telling them so.
Two: Many of us [the loss-by-suicide survivors] believed there were no signs of trouble....we hadn't recognized indicators of potential risk....we hadn't even known there was cause to be on heightened alert.
Three: ...while there are effective interventions for depression and other risk factors for suicide, we cannot yet rely on their effectiveness."

She explains that symptoms of depression in adults can be sadness and low-energy. In teens (especially boys) "they may withdraw, show increased irritability, self-criticism, frustration, and anger." In younger children, depression may present as "unexplained pains, whininess,sleep disorders, and clinginess."

With teens and younger children it's too easy to chalk these things up to being in a phase.

She encourages us to listen to our children -- not just as interested and supportive parents, but be probing. Pay attention to their friends. Pay attention to their interactions with their friends. Be sensitive to changes in their behavior. If there are changes, be nosy. Check their rooms. Read their journals. Know their internet activities.

And, you know what, pay attention to your adult family members and your close friends. Certainly not all depressives end up committing suicide or murder, but don't we need to do what we can to help people close to us through those hard times?

Klebold talks about ramifications of this tragedy, both immediate and long-term. Things I never thought about.

Her close family and friends, and Dylan's friends who were not involved in the shooting were at risk from distressed people in the community.

She understands distraught families and friends of the victims holding her son's actions against the family, but they received death threats from people far and wide not involved in or directly affected by the tragedy. Even a distant relative who lives outside of Colorado and had never had contact with Dylan, received death threats because his name is Klebold.

Sue and her husband had to have Dylan cremated, because burying him would have subjected not only his grave to probable desecration but other graves in the cemetery.

She was terrified that her other son might commit suicide under the weight of this situation. There was the very real possibility that her husband could choose to die. That she could choose to die.

In addition to losing a beloved son in these horrific circumstances, they were sued by their son's victims' families. Those lawsuits took more than four years to settle and during that time, Sue Klebold could not attend a support group.

I'm a big proponent of support groups. People who have been through the same or a similar experience can be a great help. And unfortunately, many people have lost loved ones to suicide and murder-suicide. But she could not benefit from a support group because the other people attending the might be called to testify in the lawsuits.

Was there a rational explanation? I think the book helps me understand a little bit about Dylan.

Maybe even about Patrick Sherrill, the man who shot the people in the Edmond Post Office, then shot himself.

And now that I think about it, I must reconsider the man who murdered my friend Sue many years ago. He was her husband. He killed her, then himself leaving their infant son to grow up without them.

And can we prevent like events? I think we must try.