West Side Story -- a review

 

First watch this
https://www.youtube.com/watch?v=A5GJLwWiYSg

This, friends, is the best movie I've ever seen. Yes, just like the original 1957 Broadway play, it is a musical. So if you do not like musicals, you need not watch it. And if you like musicals because they are joyously light entertainment, you may not want to watch it.

William Shakespeare's Romeo and Juliet inspired Jerome Robbins' original Broadway production of West Side Story. 

        William Shakespeare 1597                                                        Jerome Robbins 1957        

The young daughter and son of two rich,                             A young Puerto Rican girl and white boy

powerful Veronese families fall in love.                               from poor families fall in love.

Two households, both alike in dignity                                 Two gangs, both alike in poverty 

(In fair Verona, where we lay our scene),                            in Manhattan's Upper West Side.

From ancient grudge break to new mutiny,                         A neighborhood divided by race,

Where civil blood makes civil hands unclean.                     being torn down by Urban Renewal.

From forth the fatal loins of these two foes                         Both gangs are losing their "turf."  

A pair of star-crossed lovers take their life;                         A pair of star-crossed lovers meet.

           ....                                                                              

The fearful passage of their death-marked love                   Hate warps their death-marked love.

And the continuance of their parents’ rage,                          If their love cannot defeat hate.         

Doth with their death bury their parents’ strife.                     Can death?

West Side Story is set in the mid-1950s in Manhattan's Upper West Side. The blue-collar neighborhood is already stressed by limited resources and racial strife. Add to that Urban Renewal. New York City intended to remake substandard inner city housing and limited or deficient community services into a clean, safe place for people to live. It, however, ended up destroying neighborhoods and displacing poor and powerless people.

Robbins' Broadway musical reimagines Shakespeare's wealthy and powerful Veronese Montagues and Capulets with New York City street gangs. Tony, a former member of the white Jets and best friend of the gang's leader, Riff, falls in love with Maria, the sister of Bernardo, the leader of the Puerto Rican Sharks. Their love story inflames already explosive neighborhood racial tensions. 

The musical's dark theme focusing on real life, contemporary social problems ending in violence and tragedy expressed in music and dance marked a turning point in American musical theatre.

From the mid-'50s into the '70s, West Side Story's theme was real life experience for the people living in Manhattan's Upper West Side neighborhood. In April, 1955, Mayor Robert J. Wagner, Jr.'s Slum Clearance Committee approved Lincoln Square for Urban Renewal. Committee Chair Robert Moses defended his forced displacement of poor and minority communities saying, "I raise my stein to the builder who can remove ghettos without moving people as I hail the chef who can make omelets without breaking eggs."

The Broadway production was nominated for six Tony Awards, including Best Musical, in 1958, winning two. The 1961 film adaptation, co-directed by Robert Wise and Robbins, starring Natalie Wood and Richard Beymer was nominated for eleven Academy Awards and won ten, including Best Picture. 

2021 Enter Steven Spielberg
Is there anything he can't do? And do it better?

I chose this photo of Spielberg, because in it, he looks like someone I would like to know. Okay, so I've never seen Jaws or Saving Private Ryan and don't intend to, but his movies -- The Color Purple, Schindler's List, Lincoln, The Post, and now the remake of West Side Story make me think he is the kind of man I would like to know.

What is different, 1961 to 2021? Lots and little. The story is the same. 

The cinematography has, as one would expect, changed the most in the 60 years since the first West Side Story movie. Technology, technology! Remember they didn't even have cell phones in 1961. No human had yet stepped on the moon. The movie industry was still dangling space ships from wires.

                

from the 1961 movie                                     from the 2021 production

The new production's light and color seem to heighten the sense of an old neighborhood being torn down to be rebuilt, all shiny and new, for shiny new people because its current residents will not be able to afford to live there.

Top: Rita Moreno as Anita in 1961. Scene shot on a set in a studio.
Bottom: Ariana DeBose as Anita in 2021. Scene shot on the streets of Harlem.

2021 Rita Moreno
as Valentina,
the voice of reason in 
Spielberg's West Side Story

The Sharks' leader and Maria's brother Bernardo

  
1961 Sharks                                              2021 Sharks      

        George Chakiris definitely sexier            David Alvarez, pretty attractive, too  

The Jets' leader and Tony's best friend, Riff

              

                         1961 Jets too cool                                    2021 Jets too eager                                              Russ Tamblyn                                               Mike Faist                 

The Balcony scene

1961

 
Richard Beymer and Natalie Wood

I didn't know if the new Tony and Maria, Ansel Elgort and Rachel Zegler, could come up to Richard Beymer and Natalie Wood, but they do. If anything, they seem younger which makes the "love at first sight" premise more believable. And their being so quickly swept away by their passion without regard for the tragically strong passions their own would provoke.

2021

Ansel Elgort and Rachel Zegler

Leonard Bernstein's music and Stephen Sondheim's lyrics are unchanged, "Almost perfect in every way."

Gustavo Dudemel conducted The New York Philharmonic, recording about 80 percent of the score in New York City. Then the Covid lockdown hit. Shifting to Los Angeles, post production, Dudemel conducted the Los Angeles Philharmonic to finish recording the music. 

A man named Justin Peck, just 34 years old, did the choreography for Spielberg's movie. It's possible his parents weren't even born when the first West Side Story movie was made.

The music and choreography build a solid emotional base for the story.

Spielberg uses Shakespeare's pacing -- build tension then break it with humor. Let the audience relax, then drop the hammer.

In this production, Spielberg follows the threatening behavior at a school dance and an even more aggressive clash on the street between the two gangs with a decidedly humorous scene in the court room. Tension builds again only to be broken by Maria.

Celebrating her new love, she whirls and twirls through the department store where she works as an after-hours cleaner, singing "I Feel Pretty." It's light-hearted and colorful, but reminds us that Maria and her fellow cleaners are too low on the social register to shop in the store they clean.

When Maria gets off work, the hammer drops.

The Rumble -- 2021
Take overhead photography,
emphasize shadows,
add music, dance,
threaten death.

Murder happens. More murder happens. Nothing can stop the violence except more murder and threat of murder.

The terrible fabric of violence between people, against love, against hope, woven of music and dance will break your heart.

The Wheel of Time

 

by Robert Jordan
and Brandon Sanderson

The Wheel of Time is now a TV series available from a streaming service which shall remain nameless. To say that I am a devotee of the fantasy series would be a gross understatement. To say that I am disappointed in the TV production would completely misstate my reaction to what they've done to Robert Jordan's epic fantasy.

I understand how remote the likelihood is of most people reading any series consisting of  fourteen volumes and a prequel, totaling 10,173 pages in the hardback editions -- not including glossary or appendix page counts. That's 4,410,036 words according to Wikipedia.

Hard to even think about, isn't it.

But that's even more reason that the TV series folk should have more faithfully interpreted Jordan's story. And they could have done. They could use video in place of many of those millions of words.

This is an overview of Robert Jordan's life's work, so ably completed by Brandon Sanderson.

The Plot, simple, time tested, Good versus Evil. Not unlike every war humans have ever fought. At least from your side's point of view.

     Thousands of years before the book series starts, The Creator created a world
     based on the concept of balance with the Wheel of Time to run it. The Wheel,
     driven by the One Power, spins out threads (the lives of men and women) which
     are woven into the Patterns of the Ages. The One Power is divided into saidin 
     which men can channel and saidar which women can channel. Those who could
     channel, both male and female, were the original Aes Sedai. They worked together
     to protect and serve the peoples of the world.

                      
 Ancient Symbol of the                                    Snake eating its tail    

  Aes Sedai, men and women                                   the golden ring              

               (Looks familiar, doesn't it!)                                  Aes Sedai women                               

     Underpinning the sense of balance in this world, there was a destroyer, Shai'tan, 
     the Dark One. The Creator imprisoned Shai'tan away from the Wheel, but during
     The Age of Legends, also long before the series starts, something happens and
     The Dark One's prison is ruptured allowing him to touch the world and corrupt
     some of the powerful and ambitious people to support him. They attempt to
     free him.

     In that Age, the Wheel spun out the Dragon Lews Therin Telamon to defeat
     The Dark One and his followers. Using seven seals, Lews Therin resealed the

     Dark One's prison, but The Dark One cast a taint on saidin, the male half, which
     caused any male channeler to go insane doing all sorts of damage to the world
     and the people around him before he dies. This left the female Aes Sedai to 
     consolidate their power and rule the part of the world on which the series focuses.

     
     Unfortunately the seals Lews Therin used were flawed and by the Third Age,
     which is when Jordan's book series starts, the seals are failing. The Wheel spins
     out a new Dragon to battle The Dark One and his forces.
    

You don't need to know all this before you start the books. You discover it as you read.

The Theme, also simple and time tested. Seemingly ordinary people from ordinary lives do have what it takes to step up and save the world.

     “Egwene and Nynaeve, Rand and Mat and Perrin. All five from Emond’s Field
     in the Two Rivers. Few people had come into the Two Rivers from outside,
     except for occasional peddlers, and merchants once a year to buy wool and tabac.
     Almost no one had ever left. Until the Wheel chose out its ta’veren, and five
     simple country folk could stay where they were no longer. Could be what they were
     no longer.”

Characters. Robert Jordan was not only a master at world building, he drew characters that you can know well enough to recognize on the street in your own world. Each of the five main characters has their own story arc. Indeed, the supporting characters have their story arcs. And even some of the minor characters.

The three young men from Emond's Field are twenty years old, only just coming into adulthood. Egwene is a couple of years younger. Each comes from a stable home and is raised with traditional values. Nynaeve is several years older and holds a position of power in their community. She was trained by the town Wisdom to provide medical care to the Emond's Field people. When her mentor died, she became the Wisdom  and she took on the responsibility for the well-being of the town with a passion. That passion became an obsession focused on the four young people forced out of Emond's Field by the Wheel's will.

These young people travel through their world. They learn about and from the many differing cultures. They flee from and battle against The Dark One and his devotees. And they become powerful enough for Good to defeat Evil.

Now about this TV production.

Contrary to the perverted television series, Perrin was not married at the beginning of the story and did not kill his wife, accident or no. Mat's father was not a drunk and womanizer. Nor was his mother crazy.

For that matter, Egwene's father owned the Winespring Inn and was the town's mayor. Rand's father made the cider and brandy served there and was a respected member of the town council. Egwene's mother cooked the meals served in the inn's common room and was active in the town's Women's Circle. I can assure you, the inn was clean and the patrons there, orderly, even during festival.

And don't get me started on the misbegotten costume designs!

They did do a good job of the Trollocs.

Perhaps if the TV production were intended to fill the niche left empty at the end of Game of Thrones, this abomination might be understandable. Understandable, not acceptable. 

Please, please, please. Enjoy the TV series, if you must. Just remember, it in almost no way reflects Robert Jordan and Brandon Sanderson's well-crafted story.